Alarmed, they zoom in to get a better look at it's face, but no matter how close they zoom and no matter what resolution the footage was taken, they can't get a decent view.
The next day, the security team is reviewing the video from overnight and sees a figure roaming the halls.
As he's going through the halls, he brazenly ignores the security cameras strategically placed in the corners. An observer might see the vampire in this case, but they would never be able to identify them.įor example: A Nosferatu infiltrates an office building after hours. The Beast twists and contorts the result the picture shows the vampire looking in the opposite direction, he's obscured by something in the environment or the picture is underexposed and only shows dim outlines. It carries over to cameras as well, which are essentially machines that capture a target's reflection. You could easily see Obfuscate 1, Face in the Crowd, as harnessing this power and externalizing it. The vampire's reflection is there, it just blends perfectly into the scenery like a sniper's ghillie suit, guided by the predatory instinct of the Beast. It's not that the vampire doesn't have a reflection, it's more like onlookers simply can't register it.
